This book contains the chord progressions found in most jazz standards. Each progression is written with chord voicings which are indigenous to the style. The book is divided into two sections. The first section uses chordvoicings with the root as the bottom note. This voicing is appropriate when playing with a jazz group where there is no bass player.

Chord voicings with the third or seventh of the chord as the bottom note are the basis forsection two. This voicing is useful when a bass play...