Marco Bordogni (1788–1856), a celebrated tenor of the early 19th century, wrote these vocalises during his later career as a teacher of singing. Transcribed and adapted by Joannes Rochut in three books, they became a cornerstone of the Trombone repertoire. Larry Clark and Sean O’Loughlin have chosen fifty-four of the most tuneful and expressive studies that fit the idiosyncrasies of the flute, clarinet and saxophone and presented them in a logical pedagogical sequence from etudes in the easiest ...