Weber's Euryanthe is considered a 'difficult' opera, a 'difficult case' within the history of German opera and, in particular, within German librettist. The problematic reception history of the work was not completely subordinated to scientific observation - only a glance at the publication figures for the Freischütz and the Euryanthe makes this clear. The present anthology unites the lectures of the one-day Frankfurt Symposium of 2015, which took place on the occasion of the new staging of the ...