The studies and exercises collected in this volume are aimed particularly at lutenists and modern guitarists who have decided to devote themselves to the theorbo.

We have tried to address the different performance techniques, such as the use of campanellas, bourdons, strascini, and legato sounds, paying attention to increasing an awareness in the student of the coordination of the left and right hands.

We recommend the constructive use of the metronome to monitor rhythmic precision and pro...