Arrangements of one kind or another have been at the heart of alto flute repertoire since Boehm's own arrangements of well-known works at the time of the instrument's development in the mid 1850s. For an instrument that lacks its own repertoire before the mid nineteenth century, adapting earlier works provides both useful practice material and a broader range of musical material.

This adaptation of the Cello Suites is formed from studying various printed sources, including facsimiles of the f...