The use of this word for the title of this set of symphonic preludes, apart from its strong poetic charge, is mainly due to the fact that the main musical source that has fed the composition is Spanish popular music: During the course of the piece the listener will be able to appreciate, among other touches, the symphonic energy of some pages of Falla, the intimacy of Albéniz's Iberia, the magic of Tomatito or Paco de Lucía's guitars or the festive joy of Granada's Sacromonte, but also, and here...