The Concerto consists of three dramatically contrasting movements. The opening movement, which is designed as a modified sonata form, is restless, dramatic and impetuous. The second movement is an elegiac ricercare; the opening mood is one of tender and rueful remembrance, but the music rises inexorably to an intense climax that gradually dissipates into somber introspection. Opening with a burst of joyous energy, the finale is filled with an exuberance that dispels both the restlessness of the ...